so i'm not a music expert so correct me if i'm wrong, but the Tweezer jams that are more light and uplifting are Major Key, right?
assuming that's right, I have to say I f***ing love these Tweezers. I love ones like 11/17/97 or 11/22/97 that are real funky, and its awesome to me to hear that they can approach it completely differently and I still like them as much.
The 08/01/98 Tweezer is probably the top one i've heard. I also think 08/26/12 is the heat.
Any more of these Tweezers that I should check out?
assuming that's right, I have to say I f***ing love these Tweezers. I love ones like 11/17/97 or 11/22/97 that are real funky, and its awesome to me to hear that they can approach it completely differently and I still like them as much.
The 08/01/98 Tweezer is probably the top one i've heard. I also think 08/26/12 is the heat.
Any more of these Tweezers that I should check out?
@forbin1 I've heard most of those tweezers but i'm looking for specifically major key (or similar sound to the two i've posted) tweezers
I'm sure someone will chime in and help you out..@ledzepmaster seems to know about this stuff...
I also use them for the pubes right near my dick. I don't feel comfortable putting a razor next to my precious 3.5 inch member. BECAUSE SOME DAY, I WILL GET LAID.
Every major has a relative minor.Right, but most Tweezers are played in A minor and usually always use the A as the 1. Please go find me a C major Tweezer, sir.
anyway, @ledzepmaster said mine. The KC Tweezer from this summer has the goods you want.
a tweezer that goes a camera will probably be played in a couple weeks, as the world ends simultaneously
11/22 and 11/17/97 never leave Tweez-blues mode (whereas the 11/17 Ghost, like the IT Ghost and 11/28/97 Ghost and 12/30/97 Bag, swerves into an 'anthemic' major-key jam).
There's a lot of spry funk jamming in summer '97 -- OP, what do you think of the Went 2001? I think of that version as really lighthearted, especially in its last 5ish minutes. When Fish starts clanging away on his cymbal you keep wanting Trey to let up on that repetitive guitar lick, to break the happily building tension, but you kinda also him to never goddamn stop. That's a good sign I think.
Also OP, have you heard 12/2/97? The whole second set is this weirdly (for Fall 97) happy-go-lucky suite of tunes shot through with light funky syncopated rhythms from Fish. Even the heavier-than-usual Ya Mar outro gives off positive vibes, especially during that heroic Ya Mar > Weekapaug transition...
(Hope that helps.)
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