ex: for 94, Id include a "phishgrass" tune, or '97, a funk jam. 99-04 maybe show the ambiance, or dissonance of 2.0...... I think you get the point.
if you don't mind providing a reason why you picked that particular song/performance, that be cool to. lol
The collection has to fit on 2-CD's to turn in the the professor.
ps. he's a hugeee deadhead.
---------
'85-'89
1.
2.
3.
'90-'93
1.
2.
3.
'94-'96
1.
2.
3.
'97 & '98
1.
2.
3.
'99-'04
1.
2.
3.
'09-'12
1.
2.
3.
1.
2.
3.
'90-'93
1.
2.
3.
'94-'96
1.
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2.
3.
'99-'04
1.
2.
3.
'09-'12
1.
2.
3.
1.
2.
3.
'90-'93
1. 8/13/93 Gin
2.
3.
'94-'96
1.
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2.
3.
'99-'04
1.
2.
3.
'09-'12
1.
2.
3.
1.
2.
3.
'90-'93
1. 8/13/93 Gin
2.
3.
'94-'96
1.
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2.
3.
'99-'04
1. Sand, 12/13/99
2.
3.
'09-'12
1.
2.
3.
I also agree with johnnyd's structuring of the years, '99-'04 doesn't make a lot of sense, honestly.
Gosh I wish this was my Hw.I'm right there with you.
'85-'89
1.
2.
3.
'90-'93
1. 8/13/93 Gin
2. 12/31/93 Antelope for the speed jazz that was present in this era
3.
'94-'96
1. 11/23/94 Tweezer for some hey hole action and it's just amazing
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2.
3.
'99-'04
1. Sand 12/13/99 for the ambience and I really think this is a good example of the 99 sound.
2.
3.
'09-'12
1. 8/5/11 Rock n Roll because of the storage jamming
2.
3.
If so, I'm pretty sure there have been a thread or two about this exact topic in the last year or so. I can try and dig them up.
@Purple_Humpback_Whale said:great minds think alike? I posted that Sand at the same time you did, haha.Gosh I wish this was my Hw.I'm right there with you.
'85-'89
1.
2.
3.
'90-'93
1. 8/13/93 Gin
2. 12/31/93 Antelope for the speed jazz that was present in this era
3.
'94-'96
1. 11/23/94 Tweezer for some hey hole action and it's just amazing
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2.
3.
'99-'04
1. Sand 12/13/99 for the ambience and I really think this is a good example of the 99 sound.
2.
3.
'09-'12
1. 8/5/11 Rock n Roll because of the storage jamming
2.
3.
1.
2.
3.
'90-'93
1. 8/13/93 Gin
2.
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3.
'99-'04
1. Sand, 12/13/99
2.
3.
'09-'12
1.
2.
3.
1.
2.
3.
'90-'93
1. 8/13/93 Gin
2. 12/31/93 Antelope for the speed jazz that was present in this era
3.
'94-'96
1. 11/23/94 Tweezer for some hey hole action and it's just amazing
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 2001, 12/29/98. I think this is the best combination of the funk and groove jamming they were getting into here.
3. 11/23/97 Black-Eyed Katy. The purest representation of the funk from Fall '97.
'99-'04
1. Sand 12/13/99 for the ambience and I really think this is a good example of the 99 sound.
2.
3.
'09-'12
1. 8/5/11 Rock n Roll because of the storage jamming
2. 9/1/12 Light
3.
'85-'89Second time in this thread I've posted the same jam as someone else at the same time, I swear I'm coming up with these on my own, guys. But good call on the 11/23/97 BEK.
1.
2.
3.
'90-'93
1. 8/13/93 Gin
2.
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3.
'99-'04
1. Sand, 12/13/99
2.
3.
'09-'12
1.
2.
3.
1.
2.
3.
'90-'93
1. 8/13/93 Gin
2.
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2.
3.
'09-'12
1.
2.
3.
'99-'04
1. Sand, 12/13/99
2. Split Open And Melt-> Catapult, 12/31/1999
3.
1. Sand, 12/13/99
2. Split Open And Melt-> Catapult, 12/31/1999
3.
Secondly: Maybe it would be worth editing the tracks and just highlighting jam segments? Fitting material onto two CDs is tough, and just featuring jams may get your point across even better. $0.02
And I'll add the Colorado 88 Antelope:
'85-'89
1. Colorado '88 Antelope
2.
3.
'90-'93
1. 8/13/93 Gin
2.
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2.
3.
'09-'12
1.
2.
3.
read the f***ing book!
'85-'89
1. Colorado '88 Antelope
2.
3.
'90-'93
1. 8/13/93 Gin
2. 4/21/93 SOAMelt (The one that made it on to Hoist)
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2.
3.
'09-'12
1. 8/9/11 Light (Great example of "storage" jamming)
2.
3.
1. Colorado '88 Antelope
2.
3.
'90-'93
1. 8/13/93 Gin
2. 4/21/93 SOAMelt (The one that made it on to Hoist)
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2.
3.
'09-'12
1. 8/9/11 Light (Great example of "storage" jamming)
2.
3.
I also agree with johnnyd's structuring of the years, '99-'04 doesn't make a lot of sense, honestly.
fair enough.. Im still learning. lol
COPY/PASTE
---------
'85-'89
1. 12/2/83 Scarlet -> Fire (sorry, I know it says 85, but why not start at the actual beginning?)
2. 11/23/85 Jam (Mike's epiphany show!)
3. 5/28/89 YEM (Trey shred!)
'90-'93
1. 7/21/91 Landlady (thought of Amy's Farm, but we need some horns tour!)
2. 8/9/93 Tweezer (not the best jam of the summer, but it rages and really typifies the whole tour stylistically)
3. 12/31/93 Hood ('nuff said)
'94-'96
1. 11/23/94 Tweezer (typical of the fall's groundbreaking exploration without going overboard on weirdness, and nicely contrasts with 8/9/93, showing a huge leap forward)
2. 12/1/95 Mike's (great example of that dense, complex, psychedelic arena rock from fall '95 - there's plenty more from the fall I could choose, this is just what pops into my head when I think of this era)
3. 12/6/96 2001 (shows the beginnings of the funk)
'97 & '98
1. 12/7/97 Tube (good contrast with the previous song, shows them getting tighter and more confident with funkiness)
2. 11/17/97 Ghost (speaks for itself--fall '97 in full force!)
3. 11/27/98 Weekapaug (Wipeout! Epitomizes the goofy fun and random covers of '98)
'99-'04
1. 7/18/99 Piper (when I think of summer '99, I think of this)
2. 12/7/99 Gin (gorgeous)
3. Coventry Curtain With (sloppiness, sadness, and the end of an era)
'09-'12
1. Hampton Fluffhead (they're back!!!!!)
2. Greek 2010 Light
3. Dick's 2012 Carini
1. Colorado '88 Antelope
2.
3.
'90-'93
1. 8/13/93 Gin
2. 4/21/93 SOAMelt (The one that made it on to Hoist)
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2. Waves, 8-2-03 - Great soloing and then a very ambient ending. Pretty much anything from IT could be used though to define the year.
3.
'09-'12
1. 8/9/11 Light (Great example of "storage" jamming)
2.
3.
@Bozo3 said:
On the bootlegs, you can hear Trey's comments regarding the people exiting. Good for us they did not let it grind them down.
For every person who left those early shows, another stuck around. Some got "IT." And some will be seeing them, yet again, in one month.
Sounds like a cool project/class.
but in all seriousness i think it would be a good idea to put a boogie on from late 80s and then make sure your professor can hear the boogie on reggae women from Worcester this past tour.Definitely. Their early shows were full of many people there mainly to hear covers. Scarlet, Eyes, Boogie. . . . When they played one too many of "their weird" originals, the party/bar/event would empty out. It was lame, but many of those shows suffered from poor sound, equipment malfunctions, kegs running out, etc.
On the bootlegs, you can hear Trey's comments regarding the people exiting. Good for us they did not let it grind them down.
For every person who left those early shows, another stuck around. Some got "IT." And some will be seeing them, yet again, in one month.
Sounds like a cool project/class.
First off: Ohio University? Just wondering... I took History of Rock and it's an awesome concept for a class.
Secondly: Maybe it would be worth editing the tracks and just highlighting jam segments? Fitting material onto two CDs is tough, and just featuring jams may get your point across even better. $0.02
And I'll add the Colorado 88 Antelope:
.
Nope, im at SUNY Oneonta in upstate, NY. and yeah i think im gonna be cutting the tracks straight to the jams, or segments of jams, to be able to fit more on each CD.
i have plenty of material to work with and do this on my own, im merely coming here for your suggestions to really narrow things down.
Thanks.
Alright, so for my final project for my History of Rock Music class (yes, that exists), I have to create a 2-Disc collection of songs that provide the "history of:_______". Clearly, I chose Phish. So here's what Im asking. Provide a list of songs from a variety of shows spanning the late 80's till Now, that would best serve an example of their progression through the years.+1 for getting a whole forum to do your homework for you. I hope you get an A.
ex: for 94, Id include a "phishgrass" tune, or '97, a funk jam. 99-04 maybe show the ambiance, or dissonance of 2.0...... I think you get the point.
if you don't mind providing a reason why you picked that particular song/performance, that be cool to. lol
The collection has to fit on 2-CD's to turn in the the professor.
ps. he's a hugeee deadhead.
mt for later
+1 for getting a whole forum to do your homework for you. I hope you get an A.It would be hilarious if phish.net collectively got a C- on this exercise.
August 93 is pretty widely recognized as a huge turning point for the band. Some definitive shows, a great place to go for your 93 needs
edit: "Dissonance" to describe the sound of 03-04? Interesting
@chalk2001 said:Although, probably not quite as hilarious if you're WGphan92.+1 for getting a whole forum to do your homework for you. I hope you get an A.It would be hilarious if phish.net collectively got a C- on this exercise.
2. 8.21.87 Shaggy Dog
3.
'90-'93
1. 8/13/93 Gin
2. 4/21/93 SOAMelt (The one that made it on to Hoist)
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2. Waves, 8-2-03 - Great soloing and then a very ambient ending. Pretty much anything from IT could be used though to define the year.
3.
'09-'12
1. 8/9/11 Light (Great example of "storage" jamming)
2.
3.
2. 8.21.87 Shaggy Dog
3.11/23/85 Whipping Post Jam (Mike's epiphany show, first BIG jam that I know of)
'90-'93
1. 8/13/93 Gin
2. 4/21/93 SOAMelt (The one that made it on to Hoist)
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2. Waves, 8-2-03 - Great soloing and then a very ambient ending. Pretty much anything from IT could be used though to define the year.
3.
'09-'12
1. 8/9/11 Light (Great example of "storage" jamming)
2.
3.
1. Colorado '88 Antelope
2. 8.21.87 Shaggy Dog
3.11/23/85 Whipping Post Jam (Mike's epiphany show, first BIG jam that I know of)
'90-'93
1. 8/13/93 Gin
2. 4/21/93 SOAMelt (The one that made it on to Hoist)
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2. Waves, 8-2-03 - Great soloing and then a very ambient ending. Pretty much anything from IT could be used though to define the year.
3. Tweezer 2/28/03 - Standout jam of 2.0, and mostly because you don't have a Tweezer yet
'09-'12
1. 8/9/11 Light (Great example of "storage" jamming)
2.
3.
2. 8.21.87 Shaggy Dog
3.11/23/85 Whipping Post Jam (Mike's epiphany show, first BIG jam that I know of)
'90-'93
1. 8/13/93 Gin
2. 4/21/93 SOAMelt (The one that made it on to Hoist)
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2.
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2. Waves, 8-2-03 - Great soloing and then a very ambient ending. Pretty much anything from IT could be used though to define the year.
3. Tweezer 2/28/03 - Standout jam of 2.0, and mostly because you don't have a Tweezer yet
'09-'12
1. 8/9/11 Light (Great example of "storage" jamming)
2.
3.
the coventry glide belongs, dont you think? it represents the sadness of the 04 breakup better than anything else.
i would throw in the dcu carini, the birth of the susinct, living, growing jam style of present (and hopefully future)
i would throw in the dcu carini, the birth of the susinct, living, growing jam style of present (and hopefully future)
2. 8.21.87 Shaggy Dog
3.11/23/85 Whipping Post Jam (Mike's epiphany show, first BIG jam that I know of)
'90-'93
1. 8/13/93 Gin
2. 4/21/93 SOAMelt (The one that made it on to Hoist)
3.
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2. 12/31/95 Whole Show (Ranked as one of the top live performances ever. There's History)
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2. Waves, 8-2-03 - Great soloing and then a very ambient ending. Pretty much anything from IT could be used though to define the year.
3. Tweezer 2/28/03 - Standout jam of 2.0, and mostly because you don't have a Tweezer yet
'09-'12
1. 8/9/11 Light (Great example of "storage" jamming)
2.
3.
Score: 0
I would suggest Possum from '92 to represent the Secret Language and multiple teases from the era.
I would choose 5/17/92. There is a great SBD of it available out there.
1. Colorado '88 Antelope
2. 8.21.87 Shaggy Dog
3.11/23/85 Whipping Post Jam (Mike's epiphany show, first BIG jam that I know of)
'90-'93
1. 8/13/93 Gin
2. 4/21/93 SOAMelt (The one that made it on to Hoist)
3. 5/17/92 Possum
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2. 12/31/95 Whole Show (Ranked as one of the top live performances ever. There's History)
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2. Waves, 8-2-03 - Great soloing and then a very ambient ending. Pretty much anything from IT could be used though to define the year.
3. Tweezer 2/28/03 - Standout jam of 2.0, and mostly because you don't have a Tweezer yet
'09-'12
1. 8/9/11 Light (Great example of "storage" jamming)
2.
3.
Or you could go with the storage jam from superball. That's a pretty fantastic example...
'09-'12
1. 8/9/11 Light (Great example of "storage" jamming)
2.
3.
Or you could go with the storage jam from superball. That's a pretty fantastic example...Nah. I don't hear it....
2. 8.21.87 Shaggy Dog
3.11/23/85 Whipping Post Jam (Mike's epiphany show, first BIG jam that I know of)
'90-'93
1. 8/13/93 Gin
2. 4/21/93 SOAMelt (The one that made it on to Hoist)
3. 5/17/92 Possum
'94-'96
1. 7.8.94 Stash (crazy tension and release a la 94)
2. 12/31/95 Whole Show (Ranked as one of the top live performances ever. There's History)
3.
'97 & '98
1. 3/1/97 Mike's Groove
2. 11.23.97 BEK (relatively concise funk-town characteristic of the era)
3. Bathtub Gin (7/29/98) - Has so many different movements and is just face-melting!
'99-'04
1. Sand, 12/13/99
2. Waves, 8-2-03 - Great soloing and then a very ambient ending. Pretty much anything from IT could be used though to define the year.
3. Tweezer 2/28/03 - Standout jam of 2.0, and mostly because you don't have a Tweezer yet
'09-'12
1. 8/9/11 Light (Great example of "storage" jamming)
2. 6/8/12 Roses. Lays down a completely different style of Jamming, Trance-Adellic Funk.
3.
I wouldnt use all of 12/31/95 whole show, Maybe just Mockingbird?
I would also go out on a limb and say something in the 90-93 Range needs to be replaced with ALS > DWD Jam.
I agree, als> dwd is a must imo
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